Publikationen

Doktorarbeit

E. Schoonderwaldt, Mechanics and acoustics of violin bowing: Freedom, constraints and control in performance. PhD thesis, KTH – School of Com- puter Science and Communication, Stockholm, Sweden, 2009.

Wissenschaftliche Zeitschriften

E. Schoonderwaldt, M. Demoucron, E. Altenmüller, and M. Leman, “Auditory perception of note transitions in simulated complex bowing patterns,” J. Acoust. Soc. Am. (in press)

J. van der Linden, E. Schoonderwaldt, J. Bird, and R. Johnson, “MusicJacket – combining motion capture and vibrotactile feedback to teach violin bowing,” IEEE Transactions on Instrumentation and Measurement, vol. 60, no. 1, pp. 104–113, 2011.

E. Schoonderwaldt, “On the use of skewness in violin bowing: Should the bow be straight or not?,” Acta Acustica united with Acustica, vol. 96, no. 4, pp. 593–602, 2010.

E. Schoonderwaldt, “The player and the bowed string: Coordination and control of bowing parameters in violin and viola performance,” J. Acoust. Soc. Am., vol. 126, no. 5, pp. 2709–2720, 2009.

E. Schoonderwaldt and M. Demoucron, “Extraction of bowing parameters from violin performance combining motion capture and sensors,” J. Acoust. Soc. Am., vol. 126, no. 5, pp. 2695–2708, 2009.

E. Schoonderwaldt, “The violinist’s sound palette: Spectral centroid, pitch flattening and anomalous low frequencies,” Acta Acustica united with Acustica, vol. 95, no. 5, pp. 901–914, 2009.

E. Schoonderwaldt, K. Guettler, and A. Askenfelt, “An empirical investigation of bow-force limits in the Schelleng diagram,” Acta Acustica united with Acustica, vol. 94, no. 4, pp. 604–622, 2008.

A. Friberg, E. Schoonderwaldt, and P. N. Juslin, “CUEX: An algorithm for automatic extraction of expressive tone parameters in music performance from acoustic signals,” Acta Acustica united with Acustica, vol. 93, no. 3, pp. 411–420, 2007.

P. N. Juslin, J. Karlsson, E. Lindström, A. Friberg, and E. Schoonderwaldt, “Play it again with feeling: Computer feedback in musical communication of emotions,” Journal of Experimental Psychology: Applied, vol. 12, no. 2, pp. 79–95, 2006.

E. Schoonderwaldt, A. Friberg, R. Bresin, and P. N. Juslin, “A system for improving the communication of emotion in music performance by feedback learning,” J. Acoust. Soc. Am., vol. 111, p. 2471, June 2002.

Tagungsberichte

E. Schoonderwaldt and E. Altenmüller, “Mastering the violin: Motor learn- ing in complex bowing skills,” in Proceedings of the International Symposium on Performance Science (A. Williamon, ed.), (Toronto, ON, Canada), pp. 649–654, AEC, 2011.

E. Schoonderwaldt and A. R. Jensenius, “Effective and expressive movements in a french-canadian fiddler’s performance,” in Proceedings of the International Conference on New Interfaces for Musical Expression, (Oslo, Norway), pp. 256–259, 2011.

J. van der Linden, R. Johnson, J. Bird, Y. Rogers, and E. Schoonderwaldt, “Buzzing to play: Lessons learned from an in the wild study of real-time vibrotactile feedback,” in CHI ’11 Proceedings of the 2011 Annual Confer- ence on Human Factors in Computing Systems, (New York, NY, USA), pp. 533–542, ACM, May 7-12 2011.

E. Schoonderwaldt, “Control and coordination of complex bowing patterns,” in Proceedings of the Second Vienna Talk, (University of Music and Performing Arts, Vienna, Austria), pp. 133–136, 2010.

J. van der Linden, E. Schoonderwaldt, and J. Bird, “Towards a real-time system for teaching novices correct violin bowing technique,” in Proceedings of the IEEE International Workshop on Haptic Audio-Visual Environments and Games (HAVE 2009), (Italy), pp. 81–86, 2009.

J. van der Linden, E. Schoonderwaldt, and J. Bird, “Good vibrations: Guiding body movements with vibrotactile feedback,” in Proceedings of the Third Workshop on Physicality, (Cambridge, UK), 2009.

E. Schoonderwaldt, K. Guettler, and A. Askenfelt, “Schelleng in retrospect - A systematic study of bow-force limits for bowed violin strings,” in Proceedings of the International Symposium on Musical Acoustics, 2007.

E. Schoonderwaldt and M. M. Wanderley, “Visualization of bowing gestures for feedback: The Hodgson plot,” in Proceedings of the 3rd International Conference on Automated Production of Cross Media Content for Multi-channel Distribution (AXMEDIS07), vol. II, pp. 65–70, 2007.http://www.youtube.com/watch?v=W69LxKA0BdQ.

E. Schoonderwaldt, S. Sinclair, and M. Wanderley, “Why do we need 5-DOF force feedback? An analysis of violin bowing.,” in Proceedings of ENACTIVE07, 2007.

E. Schoonderwaldt, N. Rasamimanana, and F. Bevilacqua, “Combining accelerometer and video camera: Reconstruction of bow velocity profiles,”
in Proceedings of the 6th International Conference on New Interfaces for Musical Expression (NIME06), (Paris, France), pp. 200–203, 2006.

E. Schoonderwaldt, A. Askenfelt, and K. F. Hansen, “Design and implementation of automatic evaluation of recorder performance in IMUTUS,” in Proceedings of the International Computer Music Conference, (Barcelona), pp. 431–434, 2005.

E. Schoonderwaldt, K. Hansen, and A. Askenfelt, “Imutus - an interactive system for learning to play a musical instrument,” in Proceedings of the International Conference of Interactive Computer Aided Learning (ICL) (M. Auer and U. Auer, eds.), (Villach, Austria), Carinthia Tech Institute, Carinthia Tech Institute, September 29 - October 1 2004.

E. Schoonderwaldt, K. Guettler, and A. Askenfelt, “Effect of the width of the bow hair on the violin string spectrum,” in Proceedings of the Stockholm Music Acoustics Conference (SMAC03), (Stockholm), pp. 91–94, 2003.

K. Guettler, E. Schoonderwaldt, and A. Askenfelt, “Bow speed or position – which one influences spectrum the most?,” in Proceedings of the Stockholm Music Acoustics Conference (SMAC03), (Stockholm), pp. 67–70, 2003.

 

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