Publikationen

Artikel

  • Dahl, S. and Friberg, A. (2007). Visual perception of expressiveness in musicians' body movements. Music Perception Vol. 24(5), 433-454.
  • Dahl, S. (2004). Playing the accent - comparing striking velocity and timing in an ostinato rhythm performed by four drummers. Acta Acustica united with Acustica Vol. 90(4), 762-776.
  • Dahl, S. and Granqvist, S. (2003). Estimating Internal drift and Just Noticeable Difference in perception of continuous tempo drift. In: Avanzini, G., Faienza, C., Minciacchi, D., Lopez, L., and Majno, M. (Eds.), The Neurosciences and Music, Annals of the New York Academy of Science, Vol. 999, pp. 161-165.
  • Dahl, S.(2000). The playing of an accent - Preliminary observations from temporal and kinematic analysis of percussionists. Journal of New Music Research Vol.29(3), 225-234.

Buchkapitel

  • Dahl, S. (2006). Movements and analysis of drumming. In: Altenmüller, E., Wiesendanger, M., and Kesselring, J. (Eds.), Music, Motor Control and the Brain. pp.125 -138. Oxford University Press, New York.
  • Bresin, R. and Dahl, S. (2003), Experiments on gestures: walking, running, and hitting, in Rocchesso, D. and Fontana, F. (Eds.) The Sounding Object, pp.111 -136. Mondo Estremo, Florence, Italy.
  • Bresin, R., Falkenberg Hansen, K., Dahl, S., Rath, M., Marshall, M. and Moynihan, B. (2003), Devices for manipulation and control of sounding objects: The Vodhran and the Invisiball. In: Rocchesso, D. and Fontana, F. (Eds.), The Sounding Object , pp.271 -296: Mondo Estremo, Florence, Italy.

Konferenzbeiträge

  • Dahl, S., Huron, D. and Johnson, R. (2007). High pitch - friendly face.International Symposium Evolution of Emotional Communication: From Sounds in Nonhuman Mammals to Speech and Music in Man, September 27 – 29, 2007, University for Music and Drama. Hanover, Germany.
  • Dahl, S. and Huron, D. The influence of Body Morphology on Preferred Dance Tempos. In: Proceedings of International Computer Music Conference -ICMC07, International Computer Music Association, Vol 2, pp 1-4.
  • Russell, M., Petrini, K., McAleer, P., Rocchesso, D., Dahl, S., Haakon Waadeland, C., Avanzini, F., & Pollick, F. (2007). Audiovisual congruence and the processing of synchrony in swing groove drumming [Abstract]. Journal of Vision , 7(9):874, 874a, doi:10.1167/7.9.874.
  • Dahl, S. (2006). Production and perception of gestures in music performance. In: Gritten, A. and King, E. (Eds.), Proceedings of the Second International Conference on Music and Gesture, 20–23 July 2006 Royal Northern College of Music, Manchester, UK, pp.59-64 (CD-ROM).
  • Dahl, S. and Friberg, A. (2004). Expressiveness of musician's body movements in performances on marimba. In: Camurri, A. and Volpe, G. (Eds.), Gesture-based Communication in Human-Computer Interaction, Lecture Notes in Artificial Intelligence Vol. 2915, pp.479-486. Springer Verlag.
  • Rinman, M-L., Friberg A., Bendiksen, B., Cirotteau, D., Dahl, S., Kjellmo, I., Mazzarino, B. and Camurri, A.(2004). Ghost in the Cave - An Interactive Collaborative Game Using Non-verbal Communication. In: Camurri, A. and Volpe, G. (Eds.), Gesture-based Communication in Human-Computer Interaction, Lecture Notes in Artificial Intelligence Vol. 2915, pp.549-556. Springer Verlag.
  • Dahl, S. and Granqvist, S. (2003). Looking at perception of continuous tempo drift - a new method for estimating Internal drift and Just Noticeable Difference. In: Bresin, R. (Ed.), Proceedings of Stockholm Music Acoustic Conference (SMAC03), 6-9 August 2003, Vol II pp. 595-598. Stockholm, Sweden.
  • Dahl, S. and Friberg A.(2003). What can the body movements reveal about a musician's emotional intention? In: Bresin, R. (Ed.), Proceedings of Stockholm Music Acoustic Conference (SMAC03), 6-9 August 2003, Vol II pp. 599-602. Stockholm, Sweden.
  • Dahl, S. (2001). Arm motion and striking force in drumming. In: Gerber, H. and Müller, R. (Eds.), Proceedings of XVIIIth congress of the International Society of Biomechanics, 8–13 July, 2001,(CD-ROM). Zürich, Switzerland.
  • Dahl, S. (2001). Arm motion and striking force in drumming. In Bonsi, D., Gonzalez, D. and Stanzial, D. (Eds.), Proceedings of the International Symposium on Musical Acoustics (ISMA), Musical Sounds from Past Millennia 10-14 September 2001, Vol 1 pp. 293-296. Perugia, Italy.
  • Dahl, S., and Bresin, R. (2001). Is the player more influenced by the auditory than the tactile feedback from the instrument? In: Fernström, M., Brazil, E. and Marshall, M.(Eds.), Proceedings of the Cost-G6 Conference Digital Audio Effects, (DAFx01), 6-8 December 2001, pp.194-197. Limerick, Ireland.
  • Bresin, R., Friberg, A., and Dahl, S. (2001). Toward a new model for sound control. In: Fernström, M., Brazil, E. and Marshall, M.(Eds.), Proceedings of the Cost-G6 Conference Digital Audio Effects, (DAFx01), 6-8 December 2001, pp.45 -49. Limerick, Ireland.
  • Dahl, S. and Huys, R. (2005). Motor behaviour in drumming with different striking tools: Effects of tempo on control of rebound.The Neurosciences and Music - II. From perception to performance, May 5-8, 2005, Westin hotel. Leipzig, Germany.
  • Dahl, S. and Friberg, A. (2003). What can the body movements reveal about a musician's emotional intention? Stockholm Music Acoustic Conference, August 6-9, 2003, KTH. Stockholm, Sweden.
  • Dahl, S. and Granqvist, S. (2002). A new method for estimating Internal Drift and Just Noticeable Difference in perception of continuous tempo drift. The Neurosciences and Music. Mutual interactions and implications on developmental functions, October 25-27, 2002. San Servolo island, Venice, Italy.
 

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